Witch Crime #4: Anne Boleyn was presented as a seductress by her early suitor, Sir Thomas Wyatt.
In Poem XI he writes –
Witch Crime #4: Anne Boleyn was presented as a seductress by her early suitor, Sir Thomas Wyatt.
In Poem XI he writes –
In today’s enlightened age, few would believe that Anne Boleyn was actually guilty of witchcraft. She may have had traces of an extra nail growing on her little finger, and possibly a mole on her neck, as reported by early biographer George Wyatt (grandson of Sir Thomas) who based his information from interviews with Anne’s former attendants. But who does not have any form of blemish on their body? Such flaws were obviously acceptable to King Henry when he desired her, but they appear to have been greatly magnified by her detractors in later years. By the time Nicholas Sanders gave his account a half-century later, the disgraced Queen was said to have buck teeth and a whole extra finger on her right hand! Yet the remains of a body thought to be Anne Boleyn’s, exhumed in the nineteenth century, showed no signs of skeletal abnormality. Of course, after three hundred years there would be scant trace of a mole or extra finger-nail remaining, but the evidence suggests that any imperfections Anne had were minor. So why were they interpreted as signs of devilry? A clue may be found in the English language.
The Malleus Maleficarum states that “The word ‘woman’ means ‘the lust of the flesh'”(43), which today can be understood as a psychological projection of blame onto the object of male desire. Women were seen as fickle, seductive creatures who would lead good Christian men astray. They made easy prey for demons to recruit, and then these familiar spirits would claim their victims with “witches marks” (moles, skin tags, supernumerary nipples, or birth marks) – places on the body where they could suckle human blood. Therefore every sexually-active woman was potentially the devil’s gateway.
Unfortunately, the dual concepts of wickedness and blame worked their way into everyday language. If a man found a woman attractive it was because she was consciously bewitching, beguiling, enchanting, charming, captivating, or seductive. Now as part of every day speech, such terms were harmless. But when certain courtiers wrote them into love songs and sonnets, then they became exceedingly dangerous. Especially for a suspect Queen.
It seems unlikely that Sir Thomas Wyatt (1503-1542) and Anne Boleyn ever consummated their close relationship, despite the fact he was an ardent suitor of Mistress Boleyn before King Henry started noticing her. With the reputation for being one of the best poets of his age, Wyatt used clever wordplay and an ambiguous “I” speaker in the poems thought to have been written with her in mind: “Whoso list to hunt, I know where is an hind,” “What word is that that changeth not,” “If waker care, if sudden pale colour,” and “Sometime I fled the fire that me brent.” The poet was arrested in May 1536, charged with committing adultery with the Queen. Five other men were also accused, but he was the only one who escaped execution – proof enough that Henry believed his relationship with Anne was platonic.
And yet the beautiful words in Wyatt’s love sonnets may have ultimately helped to condemn his lady. Find out how in Part Four.
Sources for Part Three:
Daalder, Joost. Sir Thomas Wyatt: Collected Poems (Worldwide: Oxford UP, 1975)
Foley, Stephen Mirriam. Sir Thomas Wyatt (Boston: Twayne, 1990)
Kramer, Heinrich, and James Sprenger. The Malleus Maleficarum (New York: Dover, 1971)
Wiatt, William H. “Sir Thomas Wyatt and Anne Boleyn” in English Language Notes, Vol. VI (December, 1968). Colorado: U of Colorado, 1968. 94-102.
The Malleus Maleficarum stated that, aside from fornication, “the chief aim of the devil is to corrupt faith” (43), which the English Catholics interpreted as the influx of Lutheranism coming from Henry’s break with Rome, after his marriage to Mistress Boleyn. Bluff King Hal was beyond reproach, but his concubine was not. Anne – an intelligent, radical thinker with her own ideas about religion – became a rallying point for the Reformers. But how much of a Protestant was she? Katherine Lindsay’s book Divorced, Beheaded, Survived points out there was no record of the queen “denying the doctrine of transubstantiation, one of the central Protestant concerns,” and she clung to the Catholic notion that “good works could assure a place in Heaven,” as opposed to the Lutheran “insistence on justification by faith” (100). It seems evident, therefore, that the queen believed herself to be a good Christian. But the plotting courtiers painted her in an entirely different light.
Witch Crime #2: Anne Boleyn was suspected of being a key player in a diabolical plot to overthrow the Church of Rome.
Archbishop Chapuys reported to his employer (Emperor Charles V) that His English Majesty was “bewitched by this cursed woman . . . does all she says, and dare not contradict her” (Chapman, 151). For as Alison Weir explains in The Six Wives of Henry VIII, Cromwell had told him the king “made this marriage seduced by her witchcraft, and for that reason he considered it null and void” (304). The Malleus decreed that “if witchcraft takes effect in the event of a marriage” it “destroys the contract” (4). This gave the unhappy husband a loophole to be rid of Anne so he could wed Jane Seymour instead. By itself, however, enchantment was not a sufficient reason to execute a royal wife. Other charges were needed. So as the case against Anne grew she became accused of “having poisoned the late Queen Katherine [and] attempting to do the same to Lady Mary” (Weir, 326) – which on top of the multiple counts of adultery, including incest with her brother, amounted to the heinous crime of witchcraft.
Exodus 22:18 commands, “Thou shalt not suffer a witch to live,” and the Catholic Inquisitors were quick to condemn all women as inherently wicked “because of the first temptress, Eve, and her imitators” (Malleus, 44). According to Pierre Brunel’s Companion to Literary Myths, Heroes, and Archetypes the sorceress became “the core, the center of all that cannot be understood or accepted.” She attracted fear, hatred, and loathing until she was no longer seen as a human being but instead turned into “the expression and cause of the misfortune” suffered by all (1165). In short, the cunning woman became the royal scapegoat.
Witch Crime #3: Being an instrument of darkness, Anne Boleyn was directly and indirectly responsible for all the wrongs in the kingdom.
Yet who did the most damage to the Queen’s reputation? The answer may surprise you! Check back for Part Three tomorrow..
Sources Cited in Part Two:
Brunel, Pierre. Companion to Literary Myths, Heroes, and Archetypes (London and New York: Routledge, 1992)
Chapman, Hester W. Anne Boleyn. (London: Cape, 1974)
Holy Bible (London: Collins)
Kramer, Heinrich, and James Sprenger. The Malleus Maleficarum (New York: Dover, 1971)
Lindsey, Karen. Divorced, Beheaded, Survived (Worldwide: Addison-Wesley, 1996)
Weir, Alison. The Six Wives of Henry VIII (New York: Ballantine, 1993)
How could anyone believe that the crowned Queen of England was a witch? Of all the accusations made against Anne Boleyn (c. 1501-1536) this seems the strangest to the modern observer. But the Tudors were more than willing to accept the king’s second wife was guilty of a whole list of diabolical crimes. Let us examine why.
Although witches had been persecuted for over a hundred years on the European Continent, the first statute was not passed in England until 1542, when the Catholic clergy persuaded their congregations that Satan’s army was on the march. This was likely the direct result of the widespread distribution of the Malleus Maleficarum (1486) – the prominent and damaging witch-finder manual written by two German Inquisitors, Heinrich Kramer and James Sprenger. The Malleus was intended to halt pagan practices, but instead it triggered a wave of witch hunts that resulted in countless innocent deaths.
James Sharpe, in Instruments of Darkness, explains how the Reformation caused similar concerns among the early Protestants because “Idolatry included not only witchcraft but also the telling of the rosary, going to Mass, and saint worship” (27). But while Catholicism and sorcery were the twin evils in the early Lutheran mind, the Papists thought Protestants and witches were heretics too. And as Hester Chapman’s biography claims, it was not a huge leap for the Catholics to see Protestant Anne Boleyn as the temptress whose “advent had brought about disaster on the kingdom. She was the personification not only of evil, but of an assault on religion, crops, cattle, fair weather – every aspect of daily life” (106).
Unfortunately Mistress Boleyn was an easy target. An unconventional beauty, her enemies claimed she bore the mark of the devil from birth in an extra finger (or finger nail), and that she had numerous moles, which were widely associated with wicked women. But as Antonia Fraser reveals in The Wives of Henry VIII , as a mature lady she “exercised a kind of sexual fascination over most men who met her” (123). Anne was condemned for adultery with several others, but because the cuckolding of a king had no legal precedent, this alone was not a Capital offence. So Thomas Cromwell had to imply hundreds of liaisons between Boleyn and her lovers because the Malleus claimed “all witchcraft comes from carnal lust which is in women insatiable”(47). If she could be proven to be a lascivious witch – especially one who intended to use magic to harm or kill members of the Royal Family – then she could be sentenced to death. Not for witchcraft per se (because laws against this specific problem had yet to be passed in Henry’s reign) but rather for the ambiguous, treasonable act of betraying the sanctity of marriage and entertaining malice against the king.
Witch Crime #1: Anne Boleyn was a wicked seductress who intended to harm the royal Defender of the Faith and destroy his Christian kingdom.
Part Two tomorrow . . .
Sources Cited in Part One:
Chapman, Hester W. Anne Boleyn (London: Cape, 1974)
Fraser, Antonia. The Wives of Henry VIII (New York: Random, 1994)
Kramer, Heinrich, and James Sprenger. The Malleus Malficarum (New York: Dover, 1971)
Sharpe, James. Instruments of Darkness: Witchcraft in England, 1550-1750 (London: Hamish Hamilton, 1996)
Put To Question: The Stappado
Torture was banned under English Law except in certain circumstances,
but some unfortunates fell prey to The Strappado:
“They tied my hands behind my back. Then they hung me from a door. It feels like they are stretching you from all sides. My torso was twisted and my shoulders were dislocated from their joints from time to time. The pain cannot be described. The [Inquisitor] was shouting, ‘Confess or you will die here’.”
Put To Question: Pressing
Torture was not allowed under English law unless by royal decree –
but some folk still got pressed to death by the peine forte et dure!
“he will lie upon his back, with his head covered and his feet, and one arm will be drawn to one quarter of the house with a cord, and the other arm to another quarter, and in the same manner it will be done with his legs; and let there be laid upon his body iron and stone, as much as he can bear, or more.”
Put To Question: The Pear of Anguish
Torture was not allowed under English law . . .
but those Wise Women who helped young lassies to miscarry their shame were sometimes punished with The Pear of
Anguish:
It was pushed up between the legs and unscrewed into four brutal petals that tore the insides apart.
(Image Source http://www.medievalarchives.com)
Put To Question: The Thumbscrews
Torture was not allowed under English law without permission from the king
but the thumbscrews or pilniewinks crushed even the strongest will.
“. . . in 1596, the son and daughter of Aleson Balfour, who was accused of witchcraft, were tortured to make her confess her crime in the manner following: Her son was put in the buits where he suffered fifty-seven strokes; and her daughter about seven years old, was put in the pilniewinks . . .”
“The phrase domestic cat is an oxymoron” (George F. Will)
Ever since hunting communities turned to farming, the advantages of keeping cats around was obvious – they kept down the rodents that ate the precious grain supplies. As cats became more domesticated people grew fond of these playful balls of mischief and started making them pets. Cats were revered by the Egyptians, Chinese, Japanese, Indians, Romans, and Vikings for hundreds of years. If a black cat crossed your path you would be lucky, and to dream of this creature was a good omen. Mummified cats were buried in houses as a spiritual protection against rats and mice. But something happened in the Middle Ages that changed public opinion so that cats suddenly became demonized and were actively persecuted. Why did this happen?
The cat is an ambivalent creature, wild by nature and perhaps never fully tamed. They are not easily befriended, roam about in the night, and are sexually promiscuous. Cats are stealthy, sneaky, silent, clever, inquisitive, and almost invisible in the darkness – except for their scary eyes. All felines are hunters and killers, and their eerie howls and cries can sound quite chilling. They are said to have nine lives and be difficult to get rid of. And some old wives’ tales claim cats kill babies – either by sitting on their faces or by sucking the breath from their noses.
The Celts believed cats were the souls of wicked people unfit to be reborn as humans who were changed into animals instead. Perhaps this notion of evil lived on in the European psyche because when the early medieval witch hunts broke out, common animals became firmly associated with witches – particularly black cats. Cats were said to be their familiar spirits. Felines were seen as either shape-shifting witches or devils in disguise, or as the bad souls of former witches reborn. In 1484, a Papal decree denounced all cats and their owners as devil-worshippers, opening the floodgates for The Burning Times to begin.
This persecution lasted hundreds of years. And just as the cunning folk were condemned to terrible deaths, so too were their pets. Thousands of cats were hunted down during Lent and burned on huge public bonfires. At the coronation of Queen Elizabeth I (1558) live cats were stuffed inside a wicker effigy of the pope and set ablaze. It is said that loud songs and music were used to drown out their pitiful howls, but no one spoke out against the atrocity because cats were the most feared and reviled of all common animals.
The Age of Enlightenment gave rise to a more logical and scientific way of thinking that eventually overcame these fears and superstitions. And when people started questioning the existence of witchcraft they began seeing cats through different eyes too. They were no longer the public enemy.
As a life-long cat owner I have grown to appreciate the independence and intriguing ambiguities of my kitties, but if yours ever lets you think they are truly domesticated – enjoy the illusion!
Put To Question: The Rack
Torture was technically not allowed under English law unless royal consent had been given in advance.
Traitors and heretics often got stretched on The Rack:
“We went to the torture room in a kind of procession, the attendants walking ahead with lighted candles.
The chamber was underground and dark, particularly near the entrance. It was a vast place and every device and instrument of human torture was there. They pointed out some of them to me and said I would try them all. Then he asked me again whether I would confess.
‘I cannot,’ I said.”
(Father John Gerard, 1597)