Boggarts and Bogeymen

Boggart

(Picture: Public Domain)

Boggarts have terrified English country-folk for hundreds of years.  Particularly feared in Lancashire,  they were said to haunt the fields, woods, and marshes – sometimes stealing away naughty children.  The term Boggart derives from the Middle English bug meaning ghost, hobgoblin, or object of terror (OED).

According to those who have seen these spirits, Boggarts come in many shapes and sizes.  Sometimes they appear as ugly humans, while others have described them as beast-like creatures.  Everyone, however, seems to agree that they are hairy, strong, have strange eyes, and sometimes resemble devils.

Tradition says that if a Boggart is given a name it becomes destructive and unreasonable, rather than simply mischievous.  Perhaps for this reason these sprites are often referred to generically as The Bogeyman. 

While they have sometimes been held accountable for poltergeist activity inside the home, Lancashire Boggarts prefer the outdoors – they scare people with eerie noises, overturn farm items, sour milk and ale, lame animals, and leave behind weird hoof-prints.  They also get blamed when children or travelers go missing.

So how do you ward off Boggarts and Bogeymen?

Stay away from the places they roam, especially at night.  And hang a horseshoe over the front door of the house – or leave a pile of salt outside your bedroom.

Sweet dreams!

Horseshoe The Golden Horseshoe (William Michael Harnett)

 Sources:

Wikipedia: “Boggarts” accessed 3/28/2015

The New Shorter Oxford English Dictionary (Oxford: Clarendon,1993)

Copyright © 2022 | KitPerriman.com | All Rights Reserved

The “Witch” Church

Newchurch

Newchurch-in-Pendle is an ancient village in the North of England, close to where several of the Lancashire Witches once lived and roamed.  It has been a religious center since Druid days, with the first Christian building appearing around 1250.  In 1544, a stone chapel was dedicated by the Bishop of Chester, possibly with the original tower.  Then a gallery was added in 1915, though the current St. Mary’s Church that stands here today has been restored and renovated many times since throughout the centuries.

Graveyard (2)

The most fascinating feature is the carving on the west face of the tower (under the clock face) – a large eye said to symbolize the all-seeing Eye of God.  In earlier years though, this may have been a talisman to ward off evil from the local cunning folk who were forced by law to attend services here every Sunday.  Today, St. Mary’s is also one of the few remaining churches that still celebrates the medieval Rushbearing Festival with a special service each August.

Graveyard (1)

The graveyard contains the headstones of many old families.  The Nutter plot (dated 1694) likely contains the  descendants of Alice Nutter, one of the witches executed in 1612.  From this consecrated soil, another witch – Old Chattox – supposedly stole twelve teeth that she later traded with her rival, Old Demdike.

In later times the village funeral processions were led by two black horses, and when these were spotted coming over Nanny Maud Hill the church bells began tolling The Passing Bell.

The Bone Room opens onto the graveyard, and for many years served as the Charnel House – a place where human remains were stored.  These were skeleton parts that had either been dug up by accident, or intentionally removed to make room in a plot for fresh bodies.

St. Mary’s Church is one of two major landmarks to have outlived the old belief in magic.  The other – providing its majestic backdrop – is the famous Pendle Hill.

Hill

(Photos: Kit Perriman)

Sources:

Clayton, John A.  A History of Pendle Forest and the Pendle Witch Trials (Lancashire: Barrowford Press, 2007)

Stansfield, Andy. The Forest of Bowland & Pendle Hill (Devon: Halsgrove House, 2006)

“St. Mary’s Church, Newchurch in Pendle.”  Wikipedia, accessed 3/23/2015

Copyright © 2022 | KitPerriman.com | All Rights Reserved

Brighid: Goddess and Saint

The Wise Women of Britain had their own special patron – the goddess Brighid – who later became known as Saint Brigit.  She was a Celtic pagan deity, the equivalent of Roman Minerva and Greek Athene, whose name meant exalted one.  In Irish mythology, Brighid was the daughter of Dagda, wife of Bres, and the mother of Ruadan – the son she invented keening for when he died in battle.

Brighid

Brighid was one of three sisters (all named Brighid) who jointly made up the Triple Deity – maiden, mother, crone.  For many years she was closely associated with Wise Women and became the goddess of healers and magicians.  Called on for assistance with prophecy and divination, Brighid represented wisdom, intelligence, excellence, perfection, craftsmanship, artistry, healing, and druidic knowledge.  Because she protected pregnant women and aided in childbirth, she was also connected with the hearth and home.

At some point in the Middle Ages the Catholic Church syncretized Brighid into the Christian St. Brigit of Kildare, making her the keeper of the eternal flame (from her former role of protecting Druid priestesses) and tender of holy healing wells (as she was already widely associated with medicine).  Her festival day at the start of February marks the arrival of spring, but instead of being called Imbolc it then became known as St. Brigit’s Day instead.

Brighid is the patron saint of poetry, blacksmithing, arts and crafts, cattle, and serpents.  She is credited with inventing the whistle.  Her symbols include the hearth, cauldron, forge, and bridal bed.  Corn dolls, crosses, and knots have been named after her, and she is connected with cats, foxes, cows, bees, and wrens.

Corn Doll

The last time I visited St. Mary’s Church at Newchurch-in-Pendle I was delighted by the collection of rush decorations nailed along the walls, carefully fashioned into crosses, knots, and dollies.

The old traditions die hard!

(Photos: Public Domain)

 

Sources:

Lockhart, Elaine. “Brighid: A Personal Relationship” in Modern Witch,  First Issue, Imbolc, 2012 (p8-9)

About Religion. “Brighid: Hearth Goddess of Ireland.” Available at http://paganwiccan.about.com/od/godsandgoddesses/p/Brighid_Profile.htm (2/25/2015)

Wikipedia:  “Brigid”

Copyright © 2022 | KitPerriman.com | All Rights Reserved

Three Real Shakespearian Witches

When someone mentions Shakespeare’s witches we naturally assume they are referring to the three weird sisters from Macbeth.  Yet around the same time as the Lancashire Witch Trials were taking place in Northern England, another sinister plot was unraveling closer to King James’ court.  Ironically, it involved a nefarious character who moved in the shadows of Shakespeare’s own circle – a cunning man by the name of Simon Forman (1552-1611). Two years after his death, Forman was implicated in the murder of Sir Thomas Overbury through his relationship with two former female patrons, Countess Frances Howard Carr (1590-1632) and Mistress Anne Turner (1576-1615).

Forman

But Simon Forman was neither the fool nor evil magician that Stuart history suggests.  Much more likely he was a self-trained quack whose chief sins concerned the numerous illicit sexual conquests he recorded in his diaries.  Forman was a charismatic, intelligent seducer who dabbled in apothecary, astrology, and the occult arts.  His clients included Emilia Lanier (possibly Shakespeare’s mysterious Dark Lady) and Mrs. Mountjoy, the bard’s landlady.  Interestingly, Macbeth is one of the plays Forman mentions seeing at the Globe Theatre (April 20, 1610).  Yet as Barbara Howard Traister’s biography comments, Forman appeared much more interested in the note-taking doctor than in the supernatural characters, which is intriguing for a man who had already been imprisoned on charges of witchcraft.

 

Although Forman died in 1611, his reputation and influence lived on.  He was accused of having supplied the poison that killed Overbury in a diabolical plot hatched by the two femme-fatales – Carr and Turner – and of providing the countess with the magical means to be rid her former husband (Robert Devereux) in order to win over the king’s favorite courtier, Robert Carr.

Countess

At the center of the controversy stood Countess Frances, a virgin child-bride wedded to the Earl of Essex who had since fallen in love with the dashing Earl of Somerset.  Frances wanted her political marriage annulled so she could marry her beloved, but Carr’s mentor – Sir Thomas Overbury – disapproved of this match and stood in their way.  A plot was hatched to discredit Overbury, and he suddenly found himself confined to the Tower of London on trumped-up charges.

Some years earlier the countess had apparently contacted Simon Forman for a love potion.  It was stated at her trial that the cunning man also supplied her with a range of poisons, that were later mixed with tarts and jellies before being fed to the imprisoned Overbury by his jailor.  He died in September, 1613.  A few weeks later the Devereux marriage was officially annulled leaving Frances free to wed Carr.  But over the following months rumors of the murder plot began circulating at court, finally forcing the king to pay notice and address them.  Under the weight of the overwhelming evidence presented the countess confessed to poisoning her enemy, was found guilty at trial, but eventually received a pardon.  She was released from the Tower in 1622, having served due sentence for her crime.  Her accomplice, however, was not so fortunate.

Turner

 Anne Turner was rumored by some to be the illegitimate child of the conjurer, Simon Forman.  She was widowed from Dr. George Turner in 1610 and then became the mistress of Sir Arthur Mainwaring.  Somehow or other she befriended the countess, perhaps in her capacity as a sought-after dressmaker.  Anne held the patent for the saffron starch that dyed fashionable ruffs and cuffs yellow, a more flattering color for many complexions than the usual ivory white lawn.  She was also an independent business woman who ran houses of ill-repute in Hammersmith and Paternoster Row.  But because she was not of noble birth, the accomplice became the scapegoat for Overbury’s death.  Anne Turner, convicted of being a whore, a bawd, a sorcerer, a witch, a papist, a felon, and a murderer, was hanged at Tyburn in 1615.  She was sent to execution in her own fashionable yellow ruff, by a man wearing the same saffron ruff and cuffs – denouncing the color of her dye and putting an end to that particular fashion.

Of course these were not the three evil ones Shakespeare envisaged when writing Macbeth.  Yet he does add a final statement to the scandal in later versions of All’s Well That Ends Well by having  Parolles mocked for wearing a big ruff starched with “villainous saffron.”

Jacobean witches came in many shapes and guises!

(Pictures: Public Domain)

 

Sources:  

The Casebook Project: “Sinon Forman (1552-1611)” (Cambridge: U of Cambridge, 2013)

Downing, Sarah Jane. Fashion in the Time of William Shakespeare (Oxford: Shire, 2014)

Traister, Barbara Howard. The Notorious Astrological Physician of London (Chicago: U of Chicago P, 2001)

Wikipedia: “Simon Forman,” “Anne Turner(Murderer)” and “Frances Carr, Countess of Somerset.”

 

Copyright © 2022 | KitPerriman.com | All Rights Reserved

 

Shakespeare’s Recipe For Disaster

In Act IV – Scene I of Macbeth, Shakespeare’s three “weird sisters” prepare a “hell-broth” to produce a series of apparitions for Macbeth that set in motion a chain of deadly events.  Written only six years before the Lancashire Witch Trials, this script provides a good insight into some of the magical beliefs of that time.

 

out of; (c) Royal Shakespeare Company Collection; Supplied by The Public Catalogue Foundation

“Round about the cauldron go;

In the poison’d entrails throw.

Toad, that under cold stone

Days and nights hast thirty one

Swelter’d venom sleeping got,

Boil thou first i’ the charmed pot.

Double, double toil and trouble;

Fire burn and cauldron bubble.

Fillet of a fenny snake,

In the cauldron boil and bake;

Eye of newt, and toe of frog,

Wool of bat, and tongue of dog,

Adder’s fork, and blind-worm’s sting,

Lizard’s leg, and howlet’s wing,

For a charm of powerful trouble,

Like a hell-broth boil and bubble.

Double, double toil and trouble;

Fire burn and cauldron bubble.

Scale of dragon, tooth of wolf,

Witches’ mummy, maw and gulf

Of the ravin’d salt-sea shark,

Root of hemlock digg’d i’ the dark,

Liver of blaspheming Jew,

Gall of goat, and slips of yew

Sliver’d in the moon’s eclipse,

Nose of Turk, and Tartar’s lips,

Finger of birth-strangled babe

Ditch-deliver’d by a drab,

Make the gruel thick and slab:

Add thereto a tiger’s chaudron,

For the ingredients of our cauldron.

Double, double toil and trouble;

Fire burn and cauldron bubble.

Cool it with a baboon’s blood,

Then the charm is firm and good.”

The Jacobean audience believed that witches brewed such diabolical charms, and seeing this dramatic scene live on stage they would likely have been terrified, fascinated, mesmerized, and revolted by the disgusting ingredients – exactly as Shakespeare intended.  But let us take a closer look at his recipe.

The bard was not only a master playwright, he was also a shrewd psychologist who understood the minds of the masses who flocked to the London theatres. Therefore, it is not surprising that one of the first things thrown in the pot is the fenny snake, a nod to the snake who tempted Eve in the Garden of Eden.  The Catholic Church claimed that all women were necessarily evil because of Eve’s transgression, and that explains why the majority of accused witches were female.  The next three ingredients – eye of newt, toe of frog, and wool of bat – are added to the first item swelter’d toad venom – highlighting four nocturnal creatures that are often associated with witches and their familiar spirits.  The liver of blaspheming Jew endorses the common anti-Semitic beliefs of that era, alongside the racial prejudices held against the Turk and Tartar.  And Shakespeare further played into the beliefs of his class-conscious, biased audience by having a good man like Macbeth brought down by his scheming wife and a band of wicked hags.

A country audience, however, may have interpreted Macbeth’s cauldron quite differently from the royal courtiers and city dwellers.  Many of these exotic ingredients are actually poetic variants on the common names for herbs.  Fenny snake = chickweed; Eye of newt=mustard seed; Toe of frog = frog’s foot or bulbous buttercup; Wool of bat = bog moss; Tongue of dog = hound’s tongue; Adder’s tongue = adder’s tongue fern; Lizard’s leg = ivy; Howlet’s wing = henbane; Scale of dragon = dragonwort; Tooth of Wolf = wolf’s bane; Hemlock root = hemlock; Liver of Jew = Jew’s myrtle or box holly; Gall of goat = St. John’s Wort or honeysuckle;  Slips of Yew = yew tree bark; Nose of Turk = Turk’s cap; Tartar’s lips = ginseng or tartar root; Tiger’s chaudron = lady’s mantle; and the Finger of birth-strangled babe= foxglove, also known as “bloody fingers”.   The remaining items – toad venom, powdered mummy, shark, and baboon’s blood – were all widely thought to have medicinal properties.

Why did Shakespeare choose these fierce-sounding ingredients?  Joyce Froome (Wicked Enchantments) argues that, for the wise women of Pendle, these herbs would be part of their everyday folk magic.  Catt Foy (Witches & Pagans) suggests that maybe “Shakespeare knew a little more about herbcraft than he was letting on,” and Nigel Beale (Literary Tourists Blog) believes he chose names “designed to gross out the masses, to stop them from practicing magic.”

But William Shakespeare was  also a poet.  He knew the magic of words and  rhythmical power of his hypnotic witch chant.  It did not matter that these characters may have been throwing armfuls of common hedgerow roots and leaves into a boiling cook pot.  Much more important were the awful-sounding names that conjured up terrifying images in the minds of his audience – and at this he was an unsurpassed wizard!

Witch Circle

 

(Pictures: Public Domain)

Sources:

Beale, Nigel. “Macbeth and what was in the Witches Brew” (Literary Tourist) http://literarytourist.com/2009/10/macbeth-and-what-was-in-the-witches-brew/ accessed 2/2/2015

Foy, Catt. “A Witch’s Brew: Recipe by Shakespeare” in Witches & Pagans #29 (Oregon: BBI Media, Spring, 2014) pages 24-26.

Froome, Joyce. Wicked Enchantments: A History of the Pendle Witches and their Magic (Lancaster: Carnegie Books, 2010)

Stuart, Malcolm. The Encyclopedia of Herbs and Herbalism (London: Macdonald & Co., 1987)

Copyright © 2022 | KitPerriman.com | All Rights Reserved

In The Beginning . . .

Throughout the Middle Ages,Lancashire was ripe with tales of cunning folk.  In 1595 a conjure man called John Hartley convinced the Starkies of Huntroyde that seven members of their household were possessed by demons.  The Starkies were related to Roger Nowell, a Justice of the Peace from nearby Read who spearheaded the infamous Lancashire Witch Hunts of 1612.

Devil

King James 1st became ruler of England in 1603 – the same year Jennet Device was born into the Demdike Clan at Malkin Tower – and the same year that a terrible plague swept the land.  Two years later Guy Fawkes’ Jesuit Gunpowder Plot failed to blow up Parliament, but it did trigger a nation-wide persecution of priests at a time when Lancashire was still a Catholic stronghold.

Witches, ghosts, and boggarts were a part of English folklore, inspiring many weird and wonderful tales that included Shakespeare’s Macbeth (1606).  The wise women of Pendle Hill worked the superstitious locals to eke out a meager living.  They offered a wide range of services from basic herbal medicine to midwifery and abortion – concocting charms, curses, love spells, and potions – claiming they could heal, harm, and foretell the future.

On March 21st in 1612, Old Demdike’s teenage granddaughter – Alizon Device – set off to go begging in Colne.  On the way she met a peddler called John Law who refused to give her the pins she demanded and so she cursed him.  Moments later Law collapsed, paralyzed down one side of his body.  He pointed the finger at Alizon Device and his son went straight to the authorities.  Because Alizon was one of the notorious Demdikes the rest of her family were rounded up for examination and before long, the Lancashire Witch Hunts had begun.

(Drawing: Public Domain)

Copyright © 2022 | KitPerriman.com | All Rights Reserved

Old Demdike’s Charme

A Charme to Cure the Bewitched.

(Painting: Francisco de Goya y Lucientes)

“Upon Good-Friday, I will fast while I may
Untill I heare them knell
Our Lords owne Bell,
Lord in his messe
With his twelve Apostles good,
What hath he in his hand
Ligh in leath wand:
What hath he in his other hand?
Heavens doore key,
Open, open Heaven doore keyes,
Steck, steck hell doore.
Let Crizum child
Goe to it Mother mild,
What is yonder that casts a light so farrandly,
Mine owne deare Sonne that’s naild to the Tree.
He is naild sore by the heart and hand,
And holy barne Panne,
Well is that man
That Fryday spell can,
His childe to learne;
A Crosse of Blew, and another of Red,
As good Lord was to the Roode.
Gabriel laid him downe to sleepe
Upon the ground of holy weepe:
Good Lord came walking by,
Slep’st thou, wak’st thou Gabriel,
No Lord I am sted with sticke abd stake,
That I can neither sleepe nor wake:
Rise up Gabriel and goe with me,
The stick nor the stake shall never deere thee.
Sweete Jesus our Lord, Amen.”

(Taken from Jennet Device’s testimony against her bother, James – August, 1612)

(Painting: Public Domain)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

Tarot Cards

Tarot Cards

  • Tarot Cards originated in the Middle Ages, probably in 15th Century Northern Italy.
  • They were first designed as a pastime to play games with.
  • The first cards were rare and hand-painted. They became widespread with the invention of the printing press.
  • By the late 18th century, Tarot Cards used for telling fortunes and special custom decks appeared.
  • Etteilla made the first pack of occult cards around 1789 based on Ancient Egyptian themes.
  • The Tarot pack is divided into two parts – the Minor Arcana (suited cards), and the Major Arcana (unsuited cards).
  • The four suits are usually SWORDS, CUPS, COINS (pentacles / discs) and BATONS (wands / rods / staves).
  • The unsuited cards are: The Magician, The High Priestess, The Empress, The Emperor, The Lovers, The Hierophant (Pope), Strength, The Hermit, The Chariot, Justice, The Hanged Man, The Wheel of Fortune, Death, The Devil, The Tower, The Star, The Sun, The Moon, Judgement, The Fool, The World, and Temperance (Angel).
  • There is a “spread” for every occasion. Different types of “reading” serve different purposes: A three-card reading can represent past / present/ future; a single card signifies the day ahead or can answer a specific question; a seven-card spread may represent the coming week.
  • Many people use Tarot Cards to guide their personal daily decisions.
  • Do they predict the future? Or do they merely help focus our thoughts to deal with everyday events? What do you think?

Sources:

“A Beginners Guide to Tarot Cards.” The Cut at http://www.thecut.com/article/tarot.cards

“A Q&A With Colleen McCann.” Goop at http://www.goop.com/wellness/spirituality/how-to-use-tarot-cards-to-guide-daily-decision-making 

“Tarot.” Wikipedia at http://www.en.wikipedia.org/wiki/Tarot

(Photo: Public Domain)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

Dark Magic

From my voluntarie Confession and Examination (April 2, 1612)

” . . . the speediest way to take a mans life away by Witchcraft, is to make a Picture of Clay, like unto the shape of the person whom they meane to kill,& dry it thorowly: and when they would have them to be ill in any one place more then the other; then take a Thorne or Pinne, and pricke it in that part of the Picture you would so have to be ill: and when you would have any part of the Body to consume away, then take that part of the Picture, and burne it. And when you would have the whole body to consume away, then take the remnant of the sayd Picture, and burne it: and so thereupon by that meanes, the body shall die.”

 

(Thomas Potts. The Wonderfull Discoverie of Witches in the Countie of Lancaster, 1613)

(Pictures: Public Domain)

Copyright © 2021 | KitPerriman.com | All Rights Reserved